Last Thursday I was honored to accept a last minute invitation from the University of Michigan School of Art & Design to lunch with Matthew Carter and Roger Black (thank you Mary Alice Bankert!). Carter and Black were in town last week as part of the Penny W. Stamps Speaker Series – one of the best things the School has done for the Ann Arbor community.

Each year, we have the very good fortune of working on the promotional materials for the Ann Arbor Folk Festival. This year we focused our concepts on letterpress. There were so many good reasons to go this route, and of course our dear friends at The Ark gave us the freedom to follow our interests and make it come to life.
Last Friday Alissa and I attended the University of Michigan 2011 Alumni Show.

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I love that Gillian Welch and David Rawlings devoted so much time, effort, thought, and (coffee) creativity to their new album’s CD packaging, The Harrow & The Harvest. It’s this kind of passion for the arts; music, illustration, design, and printing that will keep these physical pieces alive. I look forward to hearing the full album and holding the work of art in my hands. I may just have to go for the Hatch Show Print bundle which includes a poster from the iconic letterpress shop I blogged about a few months ago!

While on a quick weekend trip to Nashville this past weekend, I happened upon Hatch Show Print, one of the oldest working letterpress print shops in the country. What a wonderful, colorful, historical treat it was! There was only a small space for retail and huge crowd of tourists herding through (such as myself), so I couldn’t stay long. Fortunately, the web is full of info and imagery to satisfy my craving for more.

This weekend, a few of the Q crew let loose and Painted the Town at the Ann Arbor Art Center’s 29th annual Winefest. Q has a longstanding relationship with the Art Center and was proud to design the promotional materials for this year’s event. It was a lovely night of delicious food, interesting wines, and unexpected “happenings” to celebrate why art matters.
This week a few of us had the opportunity to visit Jim Horton’s letterpress studio located just west of Ann Arbor on Waters Road.

Nearly 8 years ago, Q designed a new identity for the Ann Arbor Art Center. Perhaps you've spotted the downtown bike racks inspired by the logo? This year, we are continuing our support of this Ann Arbor landmark by sponsoring their largest annual fundraiser—Winefest. Q designed all of the promotional materials for this year's theme: Paint the Town. The big event will be held at a chic—and unexpected—warehouse on the west side of town on Saturday, May 7, and includes a strolling supper, wine-tastings, live auctions, and "random acts of culture". Click here for event details and to purchase tickets.
Brazil’s most famous artist presents Brazil’s national drink.

This past Thursday, a small delegation from Q headed east to visit the College of Creative Studies (CCS) in downtown Detroit. Though the school expanded into the Taubman Center two years ago, many of us have not had the chance to experience the new spaces. Plus, we were able to combine the tour with an afternoon of graphic design student portfolio reviews, an inspiring day indeed.
Last weekend I stopped in the Gallery Project on Fourth Avenue in Ann Arbor. The exhibit, Artifacts, featured a collection of artwork based on found objects. Included was this house made of matchbooks by Mary Beth Carolan entitled Bailout.

Last Tuesday, a friend and I went to Michigan State University to hear Jason Kernevich and Dusty Summers speak. They’re the talented duo behind The Heads of State, a graphic design and illustration studio in the City of Brotherly Love.

The excitement began to build at the beginning of the year. Whetting my appetite was actor/writer Stephen Frye’s sneak-peek review I came upon in a doctor’s waiting room. Peter Morville was an early adapter, bringing his into the office upon it’s release in April. At that point, it became a simple matter of when.
Attended the Brand New Conferenceon Friday, November 5, in NYC along with my colleagues Alissa, Thilo, and Laurenz. What a treat!

David Hockney, one of my longtime favorites, used an iPhone to paint this week’s New Yorker cover. Yes!
Read Joanna Rieke’s blog and this Wall Street Journal article.
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